AUDIOVISUAL ELEMENTS IN CONTEMPORARY DANCING

Abstract

Dancing on stage has experimented several changes in the creation of paradigms as a reaction to cross-discipline proposals in a growing number for the last decades, of coreographers, dancers and artist. As an artistic discipline on stage, it is configurated by a series of sings or elements bearing significance. The spatial parameter and within the virtual space, are characteristical of creation paradigm and the meaning of the plays on stage nowadays. Inside this space we find how the new audiovisual technologics provide the plays of significance and contextualize them defining the paradigm of actual contemporary creation.